Never thought I’d ever have bragging rights, though honestly it just makes me look like a hopeless case. So at the end of the year I thought I’d check how many galge I played this year. Big mistake… 80. Yeah. Bundling the split-up releases together would lower that number a bit. Honestly, I don’t even like galge. I’ve said this more than once: I play them because I hate half-finished anime productions, hate the dumbass plots of light novels, hate the endless circular storytelling of light novel and manga serializations. The only place I can get my Japanese-style fix and a clean, fast story conclusion is a galge—rarely do you see a galge end with “wait for the next volume,” and, bluntly, in a game the protagonist always ends up banging a girl instead of waffling between an ever-growing harem. I hate being called a “landmine checker” and I hate it when people read my impressions and go “I like big dicks and big tits, if you’re playing adult games don’t act all high and mighty”—but somehow I ended up playing this many anyway. So people say: you’ve played so many, you should recommend a few. Thinking back over the year, there really aren’t many that deserve the word “面白い.” Most have janky art and nonsensical stories. Recommending the better ones spreads the gospel and saves people some detours—that’s worthwhile. I’ve already eaten shit; sure, part of me enjoys watching others fall into the same pit, but I’d rather watch the ugly bastards who read my warning and dive in anyway. So let’s go. No particular order, just as they come to mind.

11月のアルカディア was one of March’s new releases. I’d figured there was nothing worth playing that month, then I saw the OP — looked like a mystery/plot-driven thing — so I tried the demo. And surprise, the protagonist actually has a CV. No idea who it is, but he sounds a bit like Yuuichi Nakamura. Going on the principle that “if an eroge bothers to voice its male lead, the story probably isn’t a total trainwreck,” I dove in without hesitation. And sure enough, it didn’t let me down. This is the first thing since Paper no Ue no Mahoutsukai that I can praise without a single reservation.